Coral, rose, and orange laid thick across the surface, cut through by slate blue and crimson, with cream and yellow flashing between. Paint sits in ridges where the brush turned. No drawn script, no figures, only the movement of the hand across every inch.
The most purely painterly piece in the collection. Three and a half feet of worked surface, best seen close enough to read the impasto. Suits a living room, a dining room, or a study with warm light. Plain walls and simple furnishings let the paint carry.
